Chapter 253 Piano Girl, "To Alice" When the clock hands passed 12 o'clock at night, the surroundings fell into silent silence. The moonlight was blocked by dark clouds, and not a single ray of light could leak through the gaps to the world. In the music classroom of Shiraishi High School, in the back corner, there is a piano covered with white gauze. The white gauze was long and thick, long enough for two people to hide inside without revealing their figures. Inside the white gauze, Horii Suzune and Kazama Yumeko were almost hugging each other, and they could hear each other's heartbeat and breathing. "Sister Lingyin, do you feel regretful at this moment?" “???” Horii Suzune looked down at Yumeko Kazama, who was a head shorter than her, in confusion. "If it was Hiramiya-san who took you to solve the midnight piano incident tonight, the person hiding in here with you in the embrace at this moment would be Hiramiya-san." "He wouldn't choose to hide."
"Sister Lingyin, you are clearly afraid to answer my question." Horii Suzune glanced at Kazama Yumeko seriously, "If it's him, he is indeed better than you. At least, he makes me feel more secure." "..." Yumeko Kazama snorted twice, but did not dare to say that she was not weak, because compared with Master Rensheng who was simply a monster, she was indeed pitifully weak. Humans cannot be compared to monsters. After a while, unable to bear the excessive silence, Yumeko Kazama asked again: "Sister Lingyin, what does it feel like to like someone?" “Loved seeing him and being with him.” "that is it?" "The purer the emotion, the simpler the requirements." Yumeko Kazama was silent for a while, thinking about various news items. True love seems to be like this. Only those relationships that come with various purposes will ask for this and that. As for marriage, which is a higher level than dating, it is even more realistic and terrifying. "Fall in love while you are still young, so that you won't regret losing your youth in the future." Horii Suzune gave her advice. "But……" Yumeko Kazama was shy for a while and murmured, "But what should I do if I only like girls?" "..." Horii Suzune looked at Yumeko Kazama deeply for a while, and it was really hard to associate her with the image of a nympho who liked girls. "Oh, Sister Lingyin, don't get me wrong, I don't like people." "..."
Horii Suzune took a deep breath. She would rather she had misunderstood. It's a pity that at such a young and beautiful age, she falls in love with non-human creatures. Realizing that her statement was wrong, Yumeko Kazama quickly added in a low voice: "Anyway, it's not what you think. I just admire it, that's all." The existence of Lord Shiranui is still a secret, and she can't tell everyone how wonderful Lord Shiranui is. I can only write some short stories occasionally and post them on the Internet to increase the popularity of my Lord Shiranui. call. It was like a cold wind was blowing into the music classroom through the gaps in the windows. The white gauze covering the outside of the piano was blown slightly. Yumeko Kazama hurriedly stepped on the bottom of the white gauze to prevent it from being blown away by the wind. An extremely cold feeling penetrated into her toes along the cold wind, then crawled along her toes over the instep, and continued along her calf towards her thigh. It was very cold, as if it was freezing. Yumeko Kazama subconsciously squeezed her thighs together and rubbed them gently to keep warm. The intelligence didn't mention that there would be such a cold change. Horii Suzune, who was sticking close to her, put her right hand in her pocket, touching the statue of Vairocana Buddha. The warmth from the sun dispelled the coldness that was coming over her. Both of them knew that the real culprit of the campus legend "Midnight Piano Sound" had arrived. It was its arrival that brought about this extremely cold wind. After a few minutes, a melodious piano sound was heard. Horii Suzune and Kazama Yumeko listened for a while and could clearly tell that this was indeed Beethoven's "Für Elise". However, where it should have been bright and cheerful like a girl, it had a bit more of a heavy depression, and where the girl should have been laughing, it had a bit more of a chill. The whole song no longer has the original artistic conception, but is instead filled with emotions such as coldness, sorrow, heaviness, and resentment. This is no longer Beethoven's "Für Elise", but a ghost version of "Für Elise". After just listening for a while, Horii Suzune and Kazama Yumeko both felt a chill rising from their internal organs. They seemed to follow the rhythm of the piano and saw the sad scene of a girl who was waiting for her lover but was eventually betrayed by the person she loved. In pursuit of true love, the girl cannot tolerate any betrayal. The girl chose to commit suicide. She sat in front of the piano, cut her wrists, and while bleeding, played "Für Alice" which her former lover played to pursue her. The melodious and cheerful piano music was tinged with the girl's resentment and curse. The two of them shuddered at the same time, looked at each other, and chose not to wait any longer. They stood up together, lifted the white gauze, and looked in the direction of the piano sound.
The moonlight had poured into the music classroom through the window at some point, and the piano near the window was emitting a mournful sound that made people feel cold in the heart. The girl playing the piano keys is now materialized under the moonlight. She was wearing a white dress, like a white butterfly fluttering among flowers. Her skin color and body were almost transparent, and she seemed to be just a silhouette in the moonlight. Horii Suzune and Kazama Yumeko slowly approached the girl. The girl just closed her eyes and played, as if she was immersed in the world of piano sound. The two men approached the girl and the piano. Looking closely, the girl's hands, which were originally visible playing the piano, became blank and empty. It turned out to be the case. Horii Suzune and Kazama Yumeko instantly understood that if they wanted to see the girl, they had to be from a specific perspective. Once they walked too far or too close, they would not be able to detect the girl's existence. So, the security guard who was patrolling in the corridor outside the music classroom noticed that the piano, which was not being played, was still making sounds. As they got closer, Horii Suzune and the others could only see the girl's head; the rest of the body was blank. The scene was a bit scary, but the girl didn't seem to be aggressive at all and was still immersed in her own world of music. Yumeko Kazama did not take action immediately, but waited for the girl to finish playing "To Alice" before taking out a golden Kagura bell from her pocket, shaking it gently, and easily took in the girl's resentful soul. Is this the end? Horii Suzune looked at Kazama Yumeko with suspicion. "It's probably over." Yumeko Kazama looked around the music classroom carefully again and indeed found nothing unusual. There was no second vengeful spirit here. Perhaps it was after these late-night playing sessions that the girl's resentful spirit gradually resolved the knot in her heart. It is also possible that they were all girls, so the girl did not intend to kill them. If a boy came, he would probably be able to see the terrifying side of the girl as a vengeful spirit. "She is also very pitiful." Yumeko Kazama put away the Kagura bell and whispered softly. "The more sincere the feelings, the more likely they are to lead to tragedy." "Sister Lingyin, you seem to take it lightly." "I will not blindly pursue a relationship, nor will I choose to hurt myself because the relationship is fruitless." "What will happen to you?" "Going out to travel and relax, then enjoying delicious food, at most I'll complain a few times to my close friends." Yumeko Kazama was stunned for a moment, "Is that all?"
Horii Suzune patted her head and smiled, "Is it only by trying to commit suicide that we can prove the sincerity of this relationship?" "But that's what's written in the TV series and the book." "So the emotions in books are often tragic, and the emotions in TV dramas...are always inexplicable and fake." "Ok." Yumeko Kazama felt that her thoughts on this topic were far inferior to those of Horii Suzune. (End of this chapter)