The tenth live broadcast felt like a powder keg from the very beginning.
The viewership ratings across the Four Nations soared even higher when Ida Shoichiro demanded to inspect the props.
At this point, as the works of various lyricists and composers took to the stage one after another, the audiences and netizens of the Four Nations were incredibly excited.
It seemed as if everyone had brought a higher standard to their competition entries for this particular show.
A fierce battle was unfolding.
However, this scene made the South Korea lyricists and composers, as well as the capital and television stations behind them, a little uneasy.
Although Cui Dabang had been “taken away,” the information about other lyricists' and composers' works that Cui Dabang had previously conveyed to them still existed.
But comparing the information Cui Dabang sent with the current sight of each lyricist and composer, seemingly injected with adrenaline, and their works, it really made these people suspect that Cui Dabang had provided false information!
Indeed, the works he described as being of ordinary standard were, one by one, incredibly powerful!
If they still hadn't realized that Cui Dabang had been played for a fool at this point, then they might as well quit.
The stages concluded one by one, and by the time it came to Su Yu's fifth work on stage, the atmosphere had already been heated up.
However, when the live audience and netizens of the Four Nations saw that it was still the SSR Girl Group representing Su Yu, screams already resounded throughout the entire stadium.
Although for some audience members and netizens, they hoped to see Su Yu perform on stage himself.
But to see the SSR Girl Group perform again, wasn't that also an excellent enjoyment?
Thinking back to today's opening song “Nobody,” they really wanted to know what kind of song Su Yu had prepared for this girl group this time!
And the answer was quickly given to everyone.
As the three members of the SSR Girl Group, dressed in colorful tight pants, stood still on the stage, the song's information appeared on the big screen, accompanied by the music's prelude.
“Gee” Lyrics, Composition, Arrangement: Su Yu Choreography: Su Yu, Xiao Mei Vocals: SSR
Almost identical song information to last week's “Nobody” appeared on the big screen.
This greatly surprised many audience members and netizens.
It seems Su Yu is planning to enter the field of choreography? Otherwise, why would he have choreographed twice now?
However, before anyone could think much more, a somewhat playful English narration came through.
“Aha! Listen Boy, ...... ah! let's go!”
What a familiar sense of déjà vu!
Last time's “Nobody” seemed to have the same format, right?
Su Yu has perfectly grasped the South Korea style!
And right after the English narration, Xiao Yu took a step forward and began to sing directly.
“【You are so, so cool, your eyes are so dazzling, I can't breathe, a trembling Girl.】”
As soon as the youthful and lively melody came out, it immediately attracted everyone's attention.
However, before they could think much more, the three girls' chorus came right in.
“【Gee Gee Gee Gee Baby Baby Baby~!】”
Two consecutive instances of the catchy melody and lyrics directly stunned everyone.
Can it be played like this?
By the way, this song was a bit fierce from the very beginning!
And what in the world is their dance?
Why does it look a bit strange? Like a crab?
Well, this dance is indeed called the Crab Leg Dance.
But it really doesn't have much to do with crabs; it just looks quite interesting.
It can express the youthful liveliness of the three SSR Girl Group members and their budding romance, while also giving people a very alluring feeling that makes them unwilling to look away.
However, it must be said that this song, with its large amount of catchy repetition, is really a bit brainwashing.
Even after the three girls finished their song, the “Gee Gee Gee Gee Baby Baby Baby!” still lingered in many people's minds.
It was truly too catchy and brainwashing; many even felt like they were poisoning!
But having watched the tenth episode up to now, the Four Nations audience and netizens had already formed a mental ranking of the overall quality and caliber of the works.
The SSR Girl Group's “Gee” was clearly the undisputed number one for this episode.
At this moment, Piao Zhenshi's face in the backstage was a little pale; he knew that Su Yu's subsequent performance would be hard to follow, but he never expected it to be such a scene of carnage!
This song “Gee” was completely not inferior to last week's “Nobody.” Was Su Yu planning to lead the SSR Girl Group to completely devastate South Korea?
But thoughts aside, the competition still had to continue.
Piao Zhenshi's work was actually not inferior to his previous work, but because it was in a death slot, the reactions from both the live audience and online were somewhat subdued.
This was simply because the after-effects of the just-performed “Gee” had not yet subsided!
Moreover, Piao Zhenshi's work really was a notch below Su Yu's, so it was not surprising that it wasn't given much attention.
After Piao Zhenshi was Chris, this guy had much better luck; with Piao Zhenshi as a be made a scapegoat, the feedback for his work was significantly better.
And the work of the last lyricist and composer of the night, Ida Shoichiro, was very bizarre.
Although the music style was very exciting and the stage performance was also wonderful, the live audience gave almost no feedback.
As for why? Ida Shoichiro knew better than anyone!
After all, today he had completely offended South Korea's television station and audience; it would be a miracle if they responded to him without holding a grudge.
And as Ida Shoichiro's stage performance ended, the live broadcast of the tenth episode also concluded.
Because for the next eleventh episode, there was no need for a draw; in the regular season, only China's last home game remained.
It was already late at night when Su Yu and the SSR Girl Group returned to China.
They had little affection for South Korea.
Moreover, Su Yu felt that if they didn't leave immediately, God knew how crazy South Korea's media and reporters would become.
Didn't you see that as soon as the live broadcast ended, Ida Shoichiro, that troublemaking guy, was surrounded by a large group of South Korea media and reporters, making it impossible to get through?
It was as if they wouldn't let him go easily until he explained himself.
On the morning of the 4th, South Korea announced the punishment for director Cui Dabang on the “Four Nations Concert” APP.
Overall, it was suspension, fine, and apology.
But anyone with a discerning eye knew that Cui Dabang was just being pushed out to take the blame.
After all, as a director of a sub-venue, if it weren't for the higher-ups' wishes, would he dare to pull any tricks?
What great benefit would doing so bring him?
Did he lose his mind for the sake of South Korea lyricists and composers winning?
Regarding South Korea's punishment for Cui Dabang, the other three nations did not give a clear response.
Presumably, no response was the best response.
This was just a one-time collaboration; if there were a second season of the “Four Nations Concert,” it's believed that no one would be willing to cooperate with this television station again.
As for Su Yu, these things were irrelevant.
Because with the two piano pieces from the Philharmonic Piano Festival and one song “Gee” from the tenth episode, his overseas entertainment reputation value had already reached over 1.3 billion!
He was one step closer to ten billion.
