Chapter 542: Group experiments in music. "Get out of here, get out of here, whoever wants to do this job will do it." The staff member cursed "Bauchette" angrily in his mind, but without saying anything, he closed the door and let Director Vig calm down. In this wave, it was not just Wei Ge who was angry, but the entire Daiying Museum. I haven’t dared to open a museum recently, but even so, when I was at work, just walking in and out of the museum, from time to time someone would ask, “What’s it like to look after the world’s stolen goods?” Their words were full of ridicule, mocking their own abilities. And not limited to netizens, passers-by, or even relatives Wei Ge is the curator, so he can vent his anger below. What about below? There is no bottom! Those who can run have already started running, and those who are left behind simply cannot survive without their jobs. If you drop your pick at a critical moment, you can imagine how much pressure the follow-up work will increase when you already encounter such great resistance. But all this has nothing to do with Li Jinglin. After settling the matter properly, Li Jinglin resumed his daily teaching routine.
Finally he spoke. "Yes." Li Jinglin nodded. "So, after communicating and studying for so long, what do you think about this aspect?" What has changed slightly is probably the attitude of the students. Although, in the short term, there will be waves, which may even slightly affect the development of the music industry. "The concept I extended today is - [representativeness of the group]." I have been to no less than four or five universities for educational exchanges. Although it is true that they are rarely contaminated by ZZ factors, in fact, there are still differences in training and are affected by ZZ. internationally. Instead, he looked at Xu Xin. It’s not just school. "It sounds nice, but how can it really be uncontaminated? Hiding one's head in a pig, ignoring the real influence and logic of reality. This kind of art is the real castle in the air, mirrored in the mirror." Li Jinglin nodded without commenting. While talking, Li Jinglin wrote a line of words on the whiteboard. But in Li Jinglin's view, such fluctuations are necessary. “When discussing music and art, we can’t talk in vain.” Almost any musician with a name. Everyone seems to be controlling the distance between themselves and Dai Ying, and some of Dai Ying's musicians are also downplaying their labels. Studying with Li Jinglin is like traveling all over the world. He spoke sarcastically.
It is precisely because of this that Li Jinglin gave very detailed answers in this regard when teaching his two apprentices. Obviously, Li Jinglin's reputation among the student community has increased considerably. Some contacts in the music circle also began to become subtle. "The so-called height of art and the connotation of art are actually culture and ideas, especially ideas. They are inevitably different and will definitely collide. Therefore, my personal opinion is..." This series of words by Li Jinglin. "Did you see it? This is the so-called art without borders, and art should not be contaminated by ZZ factors." In addition to the main courses, some elective courses are fully booked. Even if they are not available, if there are no classes, there are still students who are willing to come and listen to the classes. It seems that things have calmed down, but in fact a larger reaction is gradually emerging. Xu Xin thought for a moment and then spoke. "I think the essence of music is emotion. Emotions are indeed not contaminated by ZZ factors. However, most of the emotions in musical works have their origins and also involve narrative issues. At this time, cognition, right and wrong, values, and other aspects will all be affected. Make a huge impact.” "Like thought, there is no right or wrong in art. It means that the definition of right and wrong is different for different groups." These people's seemingly great speeches are actually a kind of double-standard clarification. Those who understand the essence of art know very well what the truth is. They are just pretending to be confused and deliberately deceiving the people. Liu Chenyang and Xu Xin recently returned to China. After hearing Li Jinglin's question, Liu Chenyang started to answer after thinking for a moment. Li Jinglin couldn't help but sneer a few times when he looked at this trend in the industry. Those masters of disguise who kept saying "Music has no borders, art belongs to all mankind, and should not be contaminated with ZZ factors" have also begun to keep a low profile and no longer shout these slogans. In the long-awaited small class, Li Jinglin sorted out in detail some of the reactions of the music circle during this turmoil. Xu Xin and Liu Chenyang agreed too much. The two students began to take notes. "As Liu Chenyang said, but if I add, it's from another perspective." "What about you?" After looking at each other, they both nodded. Behind the two students were several professors and directors who were attending the lecture. Several directors looked at each other. Although they felt that they had some different opinions, they generally agreed with Li Jinglin's statement. I also continued to listen with great interest. "I'll give you the simplest, most common, and most common example. You can stop thinking about the ZZ factor." Li Jinglin wrote two words on the whiteboard. 【love song】 "For example, if you write a love song or perform a love song, it is easy to have a story or an identity."
"Did I get dumped, did I fall in love but couldn't find it, did I fall in love but regretted missing it, or did I finally find my own puzzle piece after half a life." "Representatives of different groups can elicit different emotions and feelings. This is the cognition formed by the combination of musical experience and reality. The appreciators have such feelings. In fact, the subjective feelings of the creators will be more." Li Jinglin immediately knocked on the whiteboard. “Unless you’re making untitled music.” "Otherwise, the same goes for other musical content." "For example, if you want to write a children's song, you cannot consider chord construction and emotional factors from an adult's perspective. When writing content, you must write it from a child's perspective. That is, you need to represent children. group." To be honest, if you keep mentioning ZZ factors, the directors and teachers will think a lot more. Even for two students. But once the key points are expressed in this form, it is easy to understand. Several professors nodded naturally. "To mothers, to fathers, to children" "Even if it is praising workers, farmers, soldiers, or elaborating on a certain phenomenon in society, the crucial factor implicit in this is [representation of the group]." "This is what I always say, when you write music, you have to know which groups you want to serve." "In this process, it is inevitable to touch some ZZ factors. Rather than escaping from it, it is better to face it." Speaking of it. Li Jinglin couldn't help but joke. "At least, in our country, music descriptions of love don't need to consider Wal-Mart plastic bags." "Hahahaha!" During the brief laughter, Li Jinglin spoke with a smile. “So, the creation of music content depends on what kind of social class you serve, what kind of social group you want the music to spread among, to help them speak out, or to give them comfort, and the society you live in, What kind of musical power is needed and what kind of sound needs to be produced, these are all things that need to be thought about.” "So, what we need to carry out in the follow-up of this class is group experiments in music." "Theory should be combined with practice." clap clap clap! Several professors and directors immediately applauded. What Li Jinglin said is indeed easy to ignore. A sentence like "Music actually has to serve ZZ". A little empty, a little hard to understand. But if you put it this way, it is very easy to understand. "Brother Lin, does that mean that as long as the song is a hit, it is because they have clearly defined the target audience?"
"No, not necessarily." Li Jinglin shrugged and curled his lips. "I can only say that it is easier to spread this way, but it doesn't matter whether it is popular or not." "See if you push or not." "Theoretically, even if your music is mediocre, has no content, is not even considered music, or is extremely bizarre, as long as you are willing to promote it, it will become popular." "Hahahaha!" Another burst of laughter rang out. "Brother Lin, does that mean that the structure of society or some problems can be analyzed from the popular trends of music?" "Not necessarily, but there will be some trends. Generally speaking, not all sections of music and popular trends can represent problems. The most important ones to pay attention to are Xiaoli and Hanguo music." Xu Xin's words immediately made Li Jinglin pay attention. He really got to the point. "You see, some domestic music tends to be simplistic. Catchy music is best spread. Short, flat and fast melodies are the key to popularity. The content also tends to be free and easy." Li Jinglin couldn't help but raise his eyebrows. "Some people may even think it's a bit too young. I took this opportunity to explain how exciting European and American music is. This is a very naive understanding and interpretation of the function of music." "Actually, European and American music has been in decline, and the degree of decline is much greater than imagined. It's just that the outpouring of emotions is more rough, and it also covers up some problems in the development of music itself." "This shows what?" Li Jinglin's smile. The two students seemed to have gained something. "It shows that in China, work is really busy, and sometimes you feel tired, so you need relaxing, short and fast pop music. The main function is to [release the pressure of work and life]." "And what about abroad? In terms of safety and convenience of life, most people are actually far inferior to those at home. There are racial issues, equal rights issues, flour issues, parenting issues, and a series of very irritating ZZZQs, plus pressure. They are far ahead in terms of performance, and they have always had the arrogant mentality of the nouveau riche. Therefore, the role of their music is sometimes more inclined to "release the accumulated anger." (End of this chapter)