Chapter 653 Support Matters. The first problem is actually not difficult to solve. Li Jinglin comes from the grassroots. Support, in addition to efforts in education and inheritance, does not mean "giving you money and supporting you, and you just need to preserve your skills." What is support? It's not yours, and it's not a benefit. Instead, D gives you the horse to start, and you have to walk the next development and the next path by yourself. It's like poverty alleviation. Help increase revenue, get rich through hard work, and build and develop. Instead of giving welfare to refugees and just muddling through.
Focus on supporting literature and art. It depends on whether you have any concrete results. Help the old to mentor the new, pass on experience, and help establish a welfare system so that capable artists can at least have enough to eat. If all these are satisfied. It shouldn't be difficult to create some works, right? If you can't produce some decent work, isn't that a problem? At the very least, there must be appropriate performance results. For example, the production of traditional handmade soap seems to be a gimmick in the eyes of many people. It is troublesome and expensive, and it seems to be inferior to industrial soap in any way. But in fact? The market for traditional handmade soap is definitely not small. What about art? No matter how unpopular an art is, as long as you really do it. Even if it is unpopular or has low popularity, it doesn't mean there are no works. Is the content of the work perfunctory or serious? Is it a step backward or innovative? Li Jinglin is really good at judging. The main focus is to provide support, and then look at the development results. For those that are not doing well, we will go deeper into the grassroots level to see what specific problems have occurred. Eat, you can eat. If you dare to eat, I dare to investigate. If you can't produce any results and you eat for free, and I still ignore it, then I, Li Jinglin, am an idiot. By then. Are the reported artworks and representative works real or just gimmicks? Li Jinglin really saw it clearly at a glance. Let’s take a step back.
Even if you really encounter the worst case scenario. Crimes other than war. Li Jinglin is not a conservative person. Art that cannot adapt to the times, art that is old-fashioned and completely inflexible, should be swept into the dustbin of history. In addition to inheriting the roots, we also need to actively embrace the new era. This is also the reason why national records of various intangible cultural heritages were previously carried out. For example, some music, dance, etc. The purpose of recording is to preserve the heritage and it can be recorded in a modern way. Its essence, in addition to research, is naturally still to combine these traditional art elements to create new works. Lost? That won’t happen. Modern scientific and technological means are very powerful, and the many experts and scholars who conduct research are not just doing it for free. Even if some ancient art really has no inheritors. But as long as there is a record. When it is needed, successors can be quickly trained based on these detailed records and research. And what about the second one? content. It's actually not difficult. China's history is so long, and the art that has been passed down is so numerous. It is difficult to ensure that everything is in line with modern values. But is it really necessary to be “black” or “white” about all these things? Obviously not. Just like a work. The protagonist may have distorted values, and the supporting characters may all have distorted values, but the theme expressed by the entire work must never have distorted values. A typical example is "Dying to Survive". The characters in "Dying to Survive", whether they are the protagonists or the supporting roles, all have "dark histories" and have more or less violated some basic morals or values. Like many crime movies and TV series, it even describes a controversial but not so just story. But looking at the whole subject, can we say it is not right? On the contrary, it is really positive and can really play a historical role in promoting progress. On the other hand, what about some of the extravagant and decadent urban TV dramas adapted from a certain dwarf’s novels? The men are handsome, the women are beautiful, and maybe they even shout slogans sometimes, and there doesn't seem to be anything wrong. But actually? The theme of the entire work is full of materialism and consumerism, promoting cheating in the name of freedom of love. The same is true of ancient works. "Water Margin" is filled with a large number of heroes who, in today's world, would be considered to have "incorrect values".
But it seemed right at the time? In fact, such people have not read "Water Margin" seriously at all. "Water Margin" is not a simple story of good and evil, nor is it a simple story of recognition and criticism. and. It is actually very difficult for those who read "Water Margin" seriously to worship the so-called heroes. The storytelling used to create the atmosphere, or the TV drama, may use a lot of heroic language, but in fact, the main text contains a large number of words that make the heroes "uncomfortable" when reading them. On the contrary, there is criticism of the so-called "heroes of the green forest", and what is felt is the suffering of the people and the miserable situation of ordinary people while these "heroes" drink and eat meat. The descriptive technique used is slightly ironic in the literal sense, but no normal person would think that the robbery and other behaviors described in it are so cool and heroic. Instead, it will cause people to think. "Those who follow the mind are just animals." Anyone who reads and then imitates something is a beast. This is the second major issue summarized by Li Jinglin, the examination of the "content" of the work. Right now. You can freely depict inferior, mean, any kind of bad and evil. You can even let evil prevail over justice, and let darkness prevail over light. Even you fans can praise the evil villains. But the overall theme of your work must never be viewed in this way. It cannot really become inferior, despicable, bad, or evil. The art passed down by China contains a variety of ideas. How can we use the various ideas contained in it to express and serve the present within the current value framework? This is what art practitioners need to know. Again, it’s not difficult. China's standards for literary and artistic works are actually very relaxed. Even if something happens, it will be handled in a one-size-fits-all manner. But that is mostly just because third parties are afraid of getting into trouble. It’s okay to be a little controversial, just don’t overdo it. This kind of work is actually not that difficult to do. soon. Time passed little by little. The plan drafted by Li Jinglin gradually took shape. Finally, it was submitted to the boss in the company. Next, we wait for the meeting. Li Jinglin didn't know.
in this period. It can be said that the entertainment industry has been seriously stirred up by the storm. Almost every star feels this way since their boss was summoned for a talk. I was warned when I came back! Even warned of many things! Even some contents in the project have begun detailed review. Among them, there is a popular star, Luo Jiahan, who was warned by the company to "keep a low profile recently." Before he could realize what was happening, he was fired from the crew again, and a new announcement called for a temporary replacement. It seemed like all the love was lost in an instant. (End of this chapter)