Chapter 580 Boomerang gathering. Ikuo Sakai. Li Jinglin was quite familiar with this name. Ikuo Sakai was very good at Dunhuang music and Buddhist music, and had a very high status in his childhood. Of course, this is what they think. As for what kind of person he is, what is Li Jinglin's evaluation of him? In fact, you can see it from the side. For example, Ikuo Sakai is "highly sought after in the West." In Li Jinglin's eyes, it was completely different. It has a little bit of the image of a magical transformation in a small life. In fact, it stands to reason that even if I am stuck in this time period for cultural exchanges and inspections, normally there is no need to think about things from the perspective of persecutory paranoia, and it is possible that I have run into it.
I have a lot of talents in my childhood. This is something that even many domestic netizens don’t understand. Any good thought may be reversely practiced. Just like strawberry mapo tofu. Sometimes, anyone who says that Dunhuang culture can even explore the essence of the Chinese nation will be angrily criticized by netizens: "Is this small Dunhuang worthy of having so many cultures in China?" Ah San can forget it. Regarding Xiaoli, most comments in China are that "Mu Qiang has little sense of moral shame" and "feares power but not morality." The dangers of half-reading a book can be seen. Can't afford to cause any trouble, it's just disgusting. Obviously, this is a kind of ignorant and stupid, "self-righteous" and "taken for granted". The capital's economy is very high, but it is definitely not that good compared to the whole country. But the importance of the city. From a normal perspective, it should not be considered purely based on economic data alone. and. The most disturbing thing is Xiaoli's miraculous understanding and second-generation abilities. Therefore, when Chinese culture was introduced into the small world, its enthusiasm for pursuing Chinese culture was unimaginable, and it felt like a convert's fanaticism. But things were a little different when I was little. I won't comment on it, but it's somewhat interesting. Looking for roots can lead to Dunhuang. In fact, it is a complete farce, and even a very disgusting "cultural inferiority". But because of other reasons, especially because Dunhuang culture has a more important meaning besides its culture itself. But behind the willingness to be a crazy dog is the usual rebellious nature of Xiaoli. But both Tian Suo and Li Jinglin knew that this was impossible.
From the perspective of content, this seems to be the case, but the importance of anything cannot be judged simply based on the amount. My childhood obsession with Dunhuang culture was not just because of how wonderful Dunhuang culture was, nor because it was deeply influenced by Buddhist culture or Chinese culture. In the changing dynasties of China, the small days were spent swinging between the contradictory emotions of "worship" and "wanting to conquer the superior". Adored, pursued, unwilling to give up, but unable to let go. Until modern times, things from the Western world entered the East. In the early days, Westernization began on the road to industrialization. However, the Western-style content is obviously not suitable for Xiaoli, and conflicts with the original content of Xiaoli that was adapted from the East. Originally, I was trying to change things as much as possible and try to retain my own things under the influence of Chinese culture. Then I received a crazy impact from Western content, forming a cheese sandwich between two buns. But I was still so nervous in my childhood. No matter whether your own things are good or bad, they must be made, made, and modified, and they must be made. Thus, the second reverse training of mental skills and suturing monsters began. But Stitches are Stitches after all. Western content and Eastern content are not well integrated, and there is a huge conflict. In addition, Xiaoli retains a little bit of his original flavor. This kind of culture, thought and other aspects are torn apart. Even a dog doesn’t understand. And in the midst of the intense cultural confrontation, we arrived after 1900. I noticed Dunhuang culture and Dunhuang art when I was young. On the one hand, even if it is a bit far-fetched, it does have some cultural resonance. On the other hand. It is the particularity of Dunhuang culture. For the Chinese civilization, Dunhuang culture can be regarded as the most important thing in the country, including Beijing, Shanghai, Guangzhou and Shenzhen. It is an irreplaceable top priority. But when it comes to the modern Silk Road and the basic theory of the pluralistic unity of the Chinese nation , the importance will increase. This miracle of development since the Han Dynasty actually formed a process of cultural integration that lasted almost two thousand years. It’s a real fusion of cultures. Of course, there is no need to say much about the Han culture in the Central Plains. The culture of the ethnic minorities in the Southern Region can be vividly reflected through the Shu brocade. The countries in the Western Regions range from Central Asia, West Asia, to South Asia and Persian culture. Almost all the cultures of advanced civilizations in the world were deeply integrated here. Thus the unique Dunhuang culture was born. Such a deep degree of cultural integration, the light of time, and the sophistication of culture and art. Look at the whole world. There is no second one.
Yes. The focus is on their integration and the new culture that emerges from the integration. This is simply a good way to integrate different cultures for a small life. That's why they are so enthusiastic and continue to study. Now that China has begun to regain its dominance in the interpretation of Dunhuang culture and art, it is natural to jump into action anxiously, eager to get involved. It's just that what I don't want to admit is that This kind of integrated environment is based on friendly trade and mutual benefit. It is completely different from Xiaoli, who was violently and directly impacted, because Xiaoli does not understand and is not willing to understand the big picture. Therefore, for Li Jinglin, as far as the study of Dunhuang culture is concerned, a small life is useful, but it is not necessary. It was precisely because Tian Suo and Li Jinglin knew how deep this was that they felt very unhappy. But until these some in-depth questions. Except for experts and scholars. Ordinary people definitely don’t understand either. Can you just say no? Can't refuse. Once some problems are solved, it's hard to imagine what kind of rhythm it will bring. After all, I spent real money in remote animal husbandry in my childhood. Then we can only think that it is really just for inspection, research and exchange. And really pinching the nose obviously doesn't work either. Xiaotian is obviously here to enhance their presence. It is hard to imagine that they will publicize it with great fanfare, trying to prove that they still have the final say in Dunhuang studies. Will this have a significant negative impact on other projects that follow? Basically there is no need to think about it, it will definitely happen. Therefore, there is only one way to deal with it at the moment. How can we let the young people retreat from the difficulties without clarifying these things. then. This important part of Buddhism in Dunhuang culture has become even more important! In Li Jinglin's opinion, if we want to talk about Buddhism. That's just a huge collection of boomerangs. (End of this chapter)