Chapter 574 “Not much knowledge, but a lot of words!” "Nie Nainaidi, what have you been doing?!" Seeing Tian Meng's regretful look, Li Jinglin curled his lips. He wants to speak but stops, he stops talking but he desires again. In my heart, I really wanted to spit out this sentence. But no. if not? You, Li Jinglin, are such a big mess, but you still get angry with this little girl? "Go!" Li Jinglin sighed. really.
It is difficult to understand, and it is impossible to keep your mouth shut. This kind of scalp-numbing thing exists in many jobs. I feel happy and happy for a while, and I am heard. Then go to the crematorium. "It's okay, this is all over." "It's okay, this is very common. Without her, Tian Meng, and Wang Meng and Li Meng." The pressure is on Dad's side. "Oh, neglect of discipline, this is all my problem." "Tasho? It's you! Hello, hello." Li Jinglin shook his head and told Gao Ming not to delve deeper. Tian Yi packed up his things and went straight from the research institute to the song and dance troupe. "Hello, Director Li." After the outburst, the voice on the phone said, "Be more honest these days and keep your mouth shut!" before hanging up in a hurry. But he didn't dare to neglect and shook hands with Tian Yi. It was too smooth before. "I'm sorry, Director Li, my daughter has caused trouble for you." After getting into trouble, he quickly called home. It would be a lie to say that you are wise and don't panic. Don't dare to neglect. The voice on the phone was silent for a moment, but soon there was a flood and tsunami of landslides and earth-shattering. Which of these tasks that you can do by yourself is really simple?
After leaving Li Jinglin, Tian Meng was shaking a little. Should I say it or not? I am really afraid. But after all, he is also the superior brother. If he really wants to be angry, it will not be over after being angry for a while. But the key to mass work still lies in guidance. It's normal for things to go wrong. After explaining the cause and effect. After arriving at the song and dance troupe, he quickly called Gao Ming and came to see Li Jinglin. Despite Li Jinglin's easy-going appearance, all communications were very smooth and he didn't seem to be oppressive. Although Tian Meng is somewhat spoiled and is not very young, he is not a fool. Li Jinglin waved his hand and was unwilling to mention it further. Any key project, any normal unit, actually hates being thorny. Seeing that Tian Yi came so quickly and was present in person, Li Jinglin was really stunned and a little surprised. After Tian Yi came to the office in a hurry, when he saw Li Jinglin, he quickly walked up with a smile and shook hands with Li Jinglin. And the other side. Director Tian Yi of the Dunhuang Institute of Literature and Art began to break out in a cold sweat. "This stinky girl." Tian Yi smiled bitterly and shook his head. Assuming that Li Jinglin was in a bad mood and unwilling to explain the incident just now, it would not be difficult to kick Tian Meng out of the song and dance troupe directly because of this incident. There are so many people, so no one has any special ideas. "This Tian Meng" Tian Yi was not secretive and quickly admitted his mistake when he came up. To put it nicely, it’s called dissent. To put it badly, it’s a thorn in the side, and it means disobeying arrangements. This is already the case, what else can be done? After all, she is her daughter. A small episode, it’s annoying to mention too many. Again, Li Jinglin really can't afford to be serious with a little girl. Just explain it once and understand it. Don't care. If you still don't understand it, just get out. There's nothing to say. But Li Jinglin still respected the person in front of him very much. The respect for Tian Yi is entirely based on his contribution to the study of Dunhuang literature and art. Speaking of which, Tian Yi is also a very famous oil painter in the world. The research on Dunhuang culture is also quite profound. He has made outstanding contributions in regaining the right to define Dunhuang culture and art, and his achievements in art theory are not small at all. In Li Jinglin's view.
A father is a father, and a daughter is a daughter. If Tian Meng had retorted back then, Li Jinglin would naturally not show mercy. It had nothing to do with who her father was. When facing Tian Yi, he will still maintain respect. It has nothing to do with whether his daughter offends him. “This little kid really doesn’t stop, he’s not satisfied with one bottle, and he’s still half-full!” Tian Yi looked indeed very angry. Especially after hearing what Tian Meng complained about, he became even more angry. "If you don't move even a little bit, you dare to directly label me as a formalist!" Li Jinglin couldn't help but smile bitterly when he saw Tian Yi was so angry. Li Jinglin naturally knew why Tian Yi reacted so violently. All this stems from Tian Yi’s thoughts and cognition in the field of art. In Tian Yi's view, protecting Dunhuang heritage and promoting national style are top priorities, but what is the specific operation? What kind of artistic ideas need to be upheld? That is to learn Chinese and Western art and emphasize the application of foreign art to China. In this process, it is necessary to study the "formal beauty" of Western art in detail. But what about Chinese art? They tend to pay more attention to the "artistic beauty" of abstraction. In the combination of practice, Tian Yi has always been very opposed to formalism, adapting foreign things to China. He wants to use the essence of Western art to express and pursue the classical style of Chinese art. Therefore, on weekdays, at home, Tian Yi would indeed secretly complain about "broken formalism" because of arguments with others in the art world. Tian Meng seems to have acquired some ideas from this. It's just that Tian Meng doesn't know much about it. I don’t know that “formal beauty” is necessary and is a completely different concept from “formalism”. This is the reason why Tian Yi is angry. "You can criticize formalism, but you must first understand what formalism is! This child only listens to half of what is said and follows what others say. How can he think independently?!" Tian Yi was very angry. The so-called formalism is a kind of behavior and cognition that only looks at the surface of things without analyzing its internal fundamental thoughts. If placed in this incident. Li Jinglin does not require dancers to understand, does not require dancers to understand, and does not pay attention to practical application, but only emphasizes that "there must be a written report, the report must be in XX words, and must be in XX format" and other aspects. That's called formalism. Because it violates the scientific and artistic ideas that content determines form, form should serve content, and content and form are unified. And what about Li Jinglin? The format and word count are not required. What is required is that the dancers should read, understand, and have their own opinions so that they can apply it in practice. This is a rather scientific approach. Let the form further serve the content.
"It's okay, Tadokoro, this matter is over." Li Jinglin sighed. "As the rehearsal work progresses, she will understand and give more opportunities to young people." "Ugh" Tian Yi also sighed. This little girl is simply making people feel tired. But here in Li Jinglin. It's actually not bad. After all, there are outrageous netizens everywhere like Tian Meng, and Li Jinglin encountered them even more intensely. Where is this? "I hope I can make some progress!" Tian Yi didn't say much. Li Jinglin's arrangement is actually very suitable for young art practitioners like Tian Meng. It is entirely possible that under such an arrangement, there will be a great opportunity for transformation and progress. The choreography of dance dramas has always been very free. It may be based on a large standard framework, but it is still not the stereotyped statement of "this section is classical dance, so only classical dance elements can be used" as imagined. Everything still serves the work itself. Perhaps, in a classical dance, elements from other dance types will be added in order to fit the content of the work itself. This is very common. Under such circumstances, dancers must have a fairly in-depth understanding of the dance they perform, the logic and origin of the design, the source and practice. Especially in a work with this kind of historical theme, it is even more important to understand whether the choreographer's inspiration for this dance design comes from the study of some historical materials. Tian Yi naturally knew that once this project could be completed, it would be a huge improvement for the dancers. "No! I have to educate that little brat!" (End of this chapter)